Live Color Grades and LUTs: DIT Tech Series

INCLUDED IN THIS LESSON:  10 Minutes of Instructional Video, Detailed Written Breakdown, Side by Side Comparisons for better insturction    –Supplied with English Subtitles

IN THIS LESSON YOU WILL LEARN:  This lesson is all about what is required to Live Grade on set and Becoming a qualified Digital Imaging Tech or DIT.  Derek Johnson has worked with me for many years and shares his secrets, protocols and color grading tips to get you up and grading quickly On Set.  You want to deliver for you DP, you want to be fast, efficient when the client is watching and waiting for your look to come to life.  This lesson gives you the necessary tools to do this.

    • How to Use Pomfort Livegrade V.3
    • How to Balance your image quickly
      • How to use the waveform 
      • What your first steps are and WHY
    • Understand your camera settings:
      • What Color Spaces on the camera to use
      • How to create a LUT to then distribute to your team, agency and client
      • What protocols are necessary to get to know you camera system


<<<Antonia A>>> I love it!
<<<Olly B>>>Wonderful to see this workflow!
<<<Von D>>>Love this!
<<<David B>>>Shane, great Lesson!
We are directing all comments and questions to our New Forum, please find the related course in the forum’s categories to submit.

Micah Johnson 12 days ago

I am setting up a Teradek COLR for a production and was wondering if it is better to have it on the DIT cart and then send feed to monitor or have it on the camera connected via wireless to adjust luts and cdls?