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63 search results for: bounce light

2

How to Use Indirect Bounce Light

It is incredible how just one light that is not direct, but bouncing off something, changes the mood and tone of your image. It doesn’t have to be from a bounce card; it can be a wall, a floor or a ceiling. Indirect light is one of my favorite lights to use. I feel it mimics what your eyes see because it is natural, soft, forgiving and beautiful.

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Filmmaking Lighting Guide: Dedolight and Lekolite

The Dedolight kit is one of those tools you’ll find on every electric truck, especially when it comes to interior shoot days. These lights are the king of accent lighting and help make your image pop. In this lesson, Shane Hurlbut, ASC, and gaffer Eric Forand take you through the dedolight and where you’ll get […]

15

The Look Of The Lighthouse

 Color Black and White Aspect Ratio 1.19 : 1 Camera Panavision Panaflex Millennium XL2, Bausch & Lomb Baltar and Petzval Lenses Laboratory FotoKem Laboratory, Burbank (CA), USA (processing) Harbor Picture Company, New York (NY), USA (digital intermediate) Negative Format 35 mm (Eastman Double-X 5222) Cinematographic Process Digital Intermediate (4K) (master format) Spherical (source format) […]

16

Light Quality: What Is The Best Light for the Job?

This month, we’re taking a deep plunge into lighting! Get ready, we’re taking your lighting technique to the next level, including commentary on essential tools, how to light large spaces, power your lights, and work with Chimera soft banks, Rosco LitePads, and DIY lighting. Play it here: February 2015 Podcast Members can submit podcast questions, […]

18

Don McVey – Filmmakers Academy Member Spotlight

Welcome to our first Artist Spotlight of our Inner Circle Members! Our members are what make Shane’s Inner Circle the best filmmaking community YOU should be a part of, and we want to celebrate their stories with this Spotlight Series by sharing them with the world! Read on, be inspired, and join us on the inside so you can take your own work further. Enjoy! -Shane

19

Light Study: Cineo HS2

One of my favorite types of light is remote phosphor. It’s incredibly powerful. Since this technology has been introduced to our industry, these lights have been taking over. It’s because of their ability to produce beautiful skin tones, their unbelievable brightness, and just how easy they make it to switch between 3200, 4300, 5600, chroma green and blue.