Key Light: Where When and Why: Illumination Experience
Cinematography & Directing FREE LESSON for the WORLD TO ENJOY!! for 3 months during the COVID-19 Pandemic we value you all and want to offer this resource so that you can continue to learn. Let’s thrive, inspire, share and come together. Value$
INCLUDED IN THIS LESSON: 1:22 Hours of Video Instruction, lighting schematics, side by side light comparisons
IN THIS LESSON YOU WILL LEARN: This is where it all starts, the key light and the human face. The window into your character’s soul, their emotions, and motivations. It is the most important subject you will ever light, and it all starts with where to place your key light. Shane takes what you think you knew were the basics and turns them on their head into one of the most elegant approaches to lighting you will ever find. He gives you 5 things to look for when lighting any face, and along with covering the classic key light positions, Shane shows you how moving the key light around the subject even just a few degrees can dramatically change the feeling of your shot.
This lesson is a master class in how to light a face for emotional impact. I dive deep into showing you exactly what I am looking at when lighting a face. What unique angles, what types of light positions deliver specific feelings.
- 5 things to look for when lighting any face:
- Drop shadow
- The Wedge
- Eye reflection
- Nose shadow
- Eye shadow
- When to use certain types of diffusion
- Where to place your diffusion
- Secrets to organic looking bounce light
- How to use color checkers to ensure rich accurate skin tones
- How to know what side to light a subject from
- Shane’s proprietary technique for testing how to light faces
- The power of shaping light
- Lighting in layers
- Finding the emotion of a scene
- Making the talents eyes “pop”
- How angle of light can affect character perception/emotion/beauty
<<<Cory R>>> This Lesson changed the way I think about light. It was a game changer for sure.
<<<John RH>>> Worth every penny. 70 minutes of eye opening concept and why’s.
<<<Jorel>>> Just started shooting my second feature and after this Lesson I was 50/50-ing, and Rembranting, and eye-lighting, and assigning camera language to characters… And producers and directors were blown away. Couldn’t have done it without what I’ve learned from Shane.