Finessing & Shooting The Master Shot: Deadfall

INCLUDED IN THIS LESSON:  18:40 Minutes of Instructional Video, lighting, camera schematics and a glossary of terms for better learningSUPPLIED W/ENGLISH SUBTITLES

IN THIS LESSON YOU WILL LEARN:  This lesson is Part 10 of a 22 part series that takes you on a journey from Script to Screen.  Every nuances is discussed in detail from the first scout with the director, the tech scout, the pre-rig, the blocking, rehearsals to the final angle composed, lit and shot.

This lesson is all about finessing and then shooting the master shot.  We have picked the angle and now we will work with our actors, their placement, their blocking to make it perfect.  We will discuss False Color readings and best place to put your skin tones and hold your highlights.  This lesson is the gateway to once the shot is set and lit, what other things you can add or take away to make it better.

dimakop 8 days ago

Looks greast. Heads up on the wide – catching some of the bottom of that soft box on in the middle, over third lamp shade on the right. Very slight tilt down.

leon 8 days ago

Great stuff and some really good stillness from the actors too! Shane at your monitor cart it looks like you have some sort of feed into the Macbook, how are you making that happen or is it DTI footage?

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    • Shane Hurlbut, ASC    7 days ago

      @leon HI Leon, Thank you so much, I love this series I think one of our best. That is out of the laptop into a converter that converts HDMI to SDI and then we pipe it into the Flanders Monitor

    • FlatArt    4 days ago

      @leon Hi Shane, loving every lesson man! You cart, is that a custom DIT cart or something yiu bough like that with the arms for the monitors etc. ?

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